Secession Podcast

Artists: Forms of the Shadow – Jane Jin Kaisen in conversation with Damian Lentini

Following a conversation with guest curator Sunjung Kim, this podcast series now focuses on the individual artists in the exhibition, alongside their works.
Recorded on 19 September 2024, this episode focuses on the filmic work of the Danish/Korean artist Jane Jin Kaisen and her operatic multichannel work Burial of this Order – on display in the Gallery of the Secession – as well as her wider practice. At the end of the discussion, four brief audio clips from the film will be played to engage the listener in the artist’s seductive and operatic world.
Forms of the ShadowCurated by Sunjung Kim20.9. – 17.11.2024
With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon
Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others.
 
The Dorotheum is the exclusive sponsor of the Secession Podcast.
Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard
Programmed by the board of the SecessionAudio Editor: Paul MacheckExecutive Producer: Bettina Spörr

Artists: Forms of the Shadow – Young In Hong in conversation with Bettina Spörr

Young In Hong is working across installation, sound, performance, textile and drawing. Her practice often focuses on undervalued cultural practices and seeks for a sense of equality that gently undermines ruling hierarchies. In recent years, Hong has increasingly examined notions of inter-species communication, symbolism and the hybridity of sound, movement and objects in the context of other-than-human voices. More
Young In Hong is one of 18 artists and artist groups featured in Forms of the Shadow, and one of four artists whose works are shown at the Secession and its partner, the Korean Cultural Centre in Vienna. In this episode, recorded on September 20, 2024, the artist discusses her installation Double Encounter (2009), on view at the Secession, as well as her new work White Cranes and Snowfall (2024), presented at the Korean Cultural Centre.
Further conversations with Jane Jin Kaisen, Joon Kim, Lee Kit, Minouk Lim, Adrián Villar Rojas, Ramiro Wong, Tomoko Yoneda, Jin-me Yoon, and Min Yoon were conducted and will be released in the coming weeks during the exhibition:
Forms of the Shadow
Curated by Sunjung Kim
20.9. – 17.11.2024
With Nilbar Güreş; Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian; Kyungah Ham; Young In Hong; ikkibawiKrrr; Jane Jin Kaisen; Joon Kim; Lee Bul; Lee Kit; Mikael Levin; Minouk Lim; Moon Kyungwon & Jeon Joonho; Adrián Villar Rojas; Ramiro Wong; Haegue Yang; Tomoko Yoneda; Jin-me Yoon; Min Yoon
 
Bettina Spörr is an in-house curator at the Secession, where she played a key role in bringing the exhibition Forms of the Shadow to fruition.
The Dorotheum is the exclusive sponsor of the Secession Podcast.
Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard
Programmed by the board of the Secession
Audio Editor: Paul Macheck
Executive Producer: Bettina Spörr

Artists: Forms of the Shadow - Sunjung Kim in conversation with Bettina Spörr

Forms of the Shadow is the first group exhibition at the Secession since 2018, continuing the loose series of guest-curated thematic shows held there at irregular intervals.
In this podcast, recorded on 20 September 2024, the day after the opening, Bettina Spörr speaks with Sunjung Kim about her REAL DMZ PROJECT and how Forms of the Shadow evolved from it. Their conversation also explores Sunjung Kim’s personal motivation to engage with the political division of North and South Korea, as well as her journey to becoming one of South Korea’s most influential curators.
This episode is the first in a series accompanying the exhibition, offering deeper insights into the artists and their work. Individual conversations with Kyungah Ham, Young In Hong, Jane Jin Kaisen, Joon Kim, Lee Kit, Minouk Lim, Adrián Villar Rojas, Ramiro Wong, Tomoko Yoneda, Jin-me Yoon, and Min Yoon were conducted and will be released in the coming weeks throughout the exhibition:
 
Forms of the Shadow
Curated by Sunjung Kim
20.9. – 17.11.2024
 
Forms of the Shadow casts light on contemporary shadows unveiled by the global pandemic, the climate crisis, and geopolitical tensions. Through this thematic lens, it invites viewers to reflect upon the interconnectedness of our world and the complexities of navigating through turbulent times. By shedding light on the ever-shifting nature of shadows and their metaphorical significance in witnessing the passage of time, the exhibition prompts reflection on the intricate layers of human existence. More
Sunjung Kim is currently the artistic director of Art Sonje Center in Seoul (2022–), the chair of ICOM Republic of Korea (2023–), and a board member of ICOM ASPAC (International Council of Museums Asia-Pacific Alliance). She was the president of the Gwangju Biennale Foundation (2017–2021), director of Art Sonje Center (2016–2017), the artistic director of ACC Archive & Research at the Asia Art Culture Center (2014–2015), and chief curator and deputy director (1993–2004) of Art Sonje Center. Additionally, she is the founder and artistic director of the REAL DMZ PROJECT, an art and research project designed to cross the boundaries of the museum and launched in 2011 to explore the (in)visible borders of the Demilitarized Zone through the critical lens of art and to raise awareness about the division of Korea.
Bettina Spörr is a curator at the Secession (2008-present), where she engages in close collaboration with artists to conceptualize and realize exhibitions. Throughout her career, she has worked with numerous artists on solo exhibitions and, in 2010, curated where do we go from here?, another edition of Secession’s Young Scene, presenting around 30 artists from Austria and Central Eastern Europe. She worked at the Generali Foundation (2002-2008) and spent a year in Singapore (2001-2002), where she worked in a contemporary art gallery.
 
The Dorotheum is the exclusive sponsor of the Secession Podcast.
 
Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard
Programmed by the board of the Secession
Audio Editor: Paul Macheck
Executive Producer: Bettina Spörr

Artists: Katrin Hornek, Karin Pauer, Sabina Holzer, Zosia Hołubowska, and Jeanette Pacher in conversation

Katrin Hornek, Karin Pauer, Sabina Holzer, Zosia Hołubowska, and Jeanette Pacher in conversation
testing grounds is an immersive live installation conceived by Katrin Hornek and developed in a collaborative process involving artists as well as researchers and scientists from different fields. It addresses the measurable evidence and effects of radioactive fallout dispersed around the world as a result of heavy testing of nuclear weapons, especially during the Cold War era.
Listen to the artist Katrin Hornek, choreographer Karin Pauer, writer and dancer Sabina Holzer, sound artist Zosia Hołubowska, and the curator Jeanette Pacher talk about the project and its coming about from their respective perspectives, but also what it means to work collaboratively so closely. The conversation was recorded on May 13, 2024 in the context of the exhibition.
Katrin Hornek
testing grounds
In collaboration with Karin Pauer, Sabina Holzer, and Zosia Hołubowska
8.3. – 2.6.2024
With her artistic oeuvre and curatorial practice, Katrin Hornek playfully engages with the strange paradoxes of living in the age of the Anthropocene, that is, the new geologic epoch where the effects of capitalism, colonialism, and extractivism are written into the body of the earth. She asserts a more complex understanding of the entwinement of so-called nature and culture that recognizes that our bodies and cultures are substantially and spiritually connected with other creatures and the elements that make up our world. As an artistic strategy, Hornek follows the stories and traces of the material world into their countless networks to create narratives. More
Katrin Hornek (*1983, Austria) studied performative art and sculpture in Vienna and Copenhagen. She is a member of the Anthropocene Commons network and teaches at the University of Applied Arts Vienna (Department of Site-Specific Art). Recent exhibitions at Ar/Ge Kunst, Bolzano (2022), Kunstraum Lakeside, Klagenfurt (2021), Riga Biennale (2020), Kunsthalle Wien, Vienna (2019). Awarded the Msgr. Otto Mauer Prize (2021). www.katrinhornek.net
Karin Pauer (*1983, Austria) is a performer and choreographer. The exploration of relations, in-betweens, empathy, and togetherness informs all her works. She negotiates these notions combining embodied choreographic practices with language, visual arts, and live music. Her works have been shown in various Viennese institutions as well as at local and international festivals. www.karinpauer.com
Sabina Holzer (*1966, Austria) works as a dancer, choreographer and author in the field of extended choreography. She is concerned with practices of community, ecology, philosophy, materiality, science fiction and poetry. Her collaborative performances, interventions and texts are shown and published locally and internationally. www.cattravelsnotalone.at
Zosia Hołubowska (1988, Poland) is a sound artist, queer music activist, researcher, and producer. With performances, sound installations, radio works and soundscapes, they work on topics of queering archives, healing practices, and interspecies intimacy.
 
Performance: Martina De Dominicis, Cat Jimenez, Mani Obeya, Karin Pauer
The Dorotheum is the exclusive sponsor of the Secession Podcast.
 
Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard
Editing Director: Katrin Hornek
Editor: Paul Macheck
Programmed by the board of the Secession
Produced by Jeanette Pacher

Members: Rosa Hausleithner und Sophie Thun

Rosa Hausleithner erzählt im Gespräch mit Sophie Thun von ihren Anfängen als Künstlerin, ihrer Zeit an der Akademie in der Bildhauerklasse von Bruno Gironcoli und wie sich ihre Arbeiten von ortspezifischen, skulptural-architektonischen Interventionen zu gemalten Raumkompositionen entwickelt haben. Diese Folge wurde am 7. Juni 2024 im Podcast-Studio der Secession aufgenommen.
Rosa Hausleithners polychrome Bildräume formieren sich primär in ihren Gedanken. Als kleine, skizzenhafte Linienzeichnungen werden sie mit Blei- und Farbstiften auf Papier fixiert, um dann in Acryl auf Leinwand ausformuliert zu werden. Von der Bildhauerei kommend, baut die 1952 in Wien geborene Künstlerin mit ihren Gemälden fiktionale Farbräume, die sich den perspektivischen Regeln gezielt widersetzen. „Die Farbgebung, einmal opak, oftmals luzid, verstärkt und / oder verführt den Blick des Betrachtens, bis hin zur Imagination eines Kippeffekts. Dadurch entstehen im Zusammenspiel der verschiedenen Bildbausteine immer wieder neu definierte Standpunkte.“ (Rosa Hausleithner über ihre Arbeit anlässlich der Verleihung des 2020 von der Secession vergebenen Gmoser Preises).
Rosa Hausleithner absolvierte 1984 ihr Bildhauereistudium bei Bruno Gironcoli an der Akademie der bildenden Künste in Wien und stellte u. a. in der Neuen Galerie Graz, im Künstlerhaus Salzburg, in der Secession, der Kunsthalle Krems und im Museum auf Abruf in Wien aus. Sie war im Vorstand der IG Bildende Kunst tätig und Beiratsmitglied des Kulturrat Österreich. Seit ist sie 1987 Mitglied der Secession.
Sophie Thun (*1985, lebt und arbeitet in Wien) arbeitet vor allem mit Techniken der analogen Fotografie, ihren Räumen, Prozessen sowie Produktions- und Ausstellungsbedingungen. Aufgewachsen in Warschau, absolvierte Thun ihr Masterstudium an den Akademien der bildenden Künste in Wien und in Krakau. Thun ist seit 2021 im Vorstand der Secession, wo sie 2020 eine Einzelausstellung hatte; von 2023 bis 2025 ist sie Interims-Professorin der Klasse für Fotografie an der Kunstakademie Düsseldorf.
 
Secession Podcast: Artists ist eine Gesprächsreihe mit Mitgliedern der Secession.
Das Dorotheum ist exklusiver Sponsor des Secession Podcasts.
 
Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard.
Schnitt: Paul Macheck
Produktion: Bettina Spörr, Jeanette Pacher
Programmiert vom Vorstand der Secession

Artists: Susana Pilar Delahante Matienzo in conversation with Bettina Spoerr

The black dome of the Secession attracted everyone's attention in June 2024. The work, entitled Statement, was a highly visible symbol of the dignity of black women. It was part of the exhibition Achievement by Cuban artist Susana Pilar Delahante Matienzo, whose work articulates feminist, anti-racist and anti-colonial counter-visions, highlighting the achievements of black women and advocating a form of healing. In this conversation with Bettina Spoerr, recorded on 21 June 2024, the artist talks about how she fell in love with the golden dome of the Secession and was inspired to activate the architecture.
 
Susana Pilar Delahante Matienzo
Achievement
21.6. – 8.9.2024
 
The reinvention of memory and the critical engagement with archives are central to Delahante Matienzo’s research and a strategy that lets her recover the identities and legacies of people who were denied the right to record their own histories. As a Cuban-born artist with African and Chinese roots, she knows from her own family’s experience that, for the longest time, oral traditions were the only available sources on which to draw for one’s lineage and heritage. In Achievement, she presents a fictional and speculative archive that features Black women as prominent, affluent, and esteemed members of society and as hardworking and self-determined businesswomen. In so doing, she not only undertakes a critique of history, she also takes a vital step toward a more nuanced consideration—ultimately, a reprogramming—of beliefs that have seemed impossible to dislodge. Defying the colonial gaze, the artist charts assertive alternative representations.
More
 
Susana Pilar Delahante Matienzo, born 1984 in Havana, Cuba, has lived and worked in the Netherlands since 2021. She describes her work across photography, video, and performance as a preoccupation with creating “symbolic solutions and personal responses” to the history of violence against women. She sees her body as an archive of the forced displacement of people from Africa and Asia to Cuba. Her critical works take a personal perspective as a starting point. Resistance, struggle, family archive, mothers, Black women, Negritude - these are the themes along which the artist’s profound work unfolds.
 
Collaborating in close dialogue with artists to conceive and realise exhibitions together, and reflecting on the impact contemporary art can have on our society are key to Bettina Spörr’s practice as a curator and writer. Recent collaborations include Susana Pilar Delahante Matienzo and her spectacular intervention on the Secession’s golden dome (2024), or the Secession exhibition of Delaine Le Bas (2023) for which the artist has been nominated for the 2024 Turner Prize.
 
Secession Podcast: Artists features artists exhibiting at the Secession.
Programmed by the board of the Secession
The Dorotheum is the exclusive sponsor of the Secession Podcast.
 
Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. Eberhard
Editor: Paul Macheck
Production: Bettina Spörr

Artists: Zhou Siwei in conversation with Damian Lentini

Zhou Siwei translates the contradictions of living and working in contemporary China into playful, personally fragmented and nonlinear works on canvas and painted objects. This podcast was recorded on 19 June 2024 in the context of the exhibition:
Zhou Siwei
I Sold What I Grow
21.6. – 8.9.2024
Probing the ambivalence of digital technologies, the unceasing global traffic in goods, and the sleeplessness of the late-capitalist era, Zhou interweaves diverse visual and cultural influences in ways that make everyday items and signs feel at once familiar and alien, accommodating a wide range of interpretations. More
Zhou Siwei is an artist whose work focuses on the interrelation between people’s understanding of culture and the effects of culture on people. Zhou completed a BA in Oil Painting from Sichuan Fine Arts Institute in 2005 and currently lives and works in Shanghai.
Damian Lentini is a curator at the Vienna Secession. He obtained his doctoral degree in 2009 at the University of Melbourne and has realised major projects with artists such as El Anatsui, Phyllida Barlow, Kapwani Kiwanga, Sarah Sze, Sung Tieu, Raqs Media Collective, Harun Farocki, Dumb Type, Khvay Samnang, Lina Lapelytė and the Karrabing Film Collective amongst others.
Secession Podcast: Artists features artists exhibiting at the Secession. The Dorotheum is the exclusive sponsor of the Secession Podcast.Programmed by the board of the Secession.Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed (2016, Christine Lavant Quartett) by Alexander J. EberhardEditor: Paul MacheckProduction: Damian Lentini, Bettina Spörr

Members: Hermann Czech im Gespräch mit Andreas Spiegl

In dieser Folge hören Sie den Architekten Hermann Czech im Gespräch mit Andreas Spiegl, aufgezeichnet am 25. April 2024. Hermann Czech ist Ehrenmitglied der Secession und Preisträger des Großen Österreichischen Staatspreises 2024.
 
Hermann Czech (*1936 in Wien), studierte Architektur an der TH Wien und an der Akademie der bildenden Künste in Wien bei Ernst A. Plischke. 1958 und 1959 nahm er an den Seminaren von Konrad Wachsmann an der Salzburger Sommerakademie teil. Erste architektonische Arbeiten ab 1960, von 1963 bis 1967 schrieb er architekturkritische Texte für Die Furche. Ab den 1970er-Jahren Projekte und Realisierungen in verschiedenen Planungsmaßstäben. Veröffentlichung der frühen Schriften 1978 unter dem Titel Zur Abwechslung (erweiterte Neuauflage 1996), 2021 folgte Ungefähre Hauptrichtung. Schriften und Gespräche zur Architektur (beides Löcker Verlag). Hermann Czech war Gastprofessor an der Harvard University in Cambridge/USA, der ETH Zürich, an der TU Wien und der Akademie der bildenden Künste in Wien. Für sein architektonisches Werk erhielt er Preise und Auszeichnungen. 1980, 1991, 2000 und 2012 nahm er an der Architekturbiennale in Venedig teil, zuletzt 2023 gemeinsam mit dem Kollektiv AKT. Hermann Czech lebt und arbeitet in Wien.
 
Andreas Spiegl lehrt und forscht als Senior Scientist am Institut für Kunst- und Kulturwissenschaften an der Akademie der bildenden Künste Wien, an der er von 2003 bis 2011 die Funktion als Vizerektor für Forschung und Lehre innehatte. Von 2015 bis 2022 war er Leiter des Instituts für Kunst- und Kulturwissenschaften und seit 2022 hat er die Aufgabe als Senatsvorsitzender übernommen. Er publizierte zahlreiche Texte an den Schnittstellen von zeitgenössischer Kunst, Medien- und Raumtheorien.    
 
Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern, programmiert vom Vorstand der Secession.
Das Dorotheum ist exklusiver Sponsor dieser Podcast-Serie.
 
Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard.
Schnitt: Paul Macheck
Programmiert vom Vorstand der Secession
Produktion: Bettina Spörr, Christian Lübbert
 

Artists: Simone Fattal in conversation with Jeanette Pacher

This episode is a conversation between Simone Fattal and Jeanette Pacher, the curator of the exhibition. It was recorded on June 19, 2024 in the context of:
Simone Fattal
metaphorS
21.6. – 8.9.2024
In her exhibition metaphorS, Simone Fattal presents bodies of work from different periods in her career and in a variety of media, including fired clay and ceramic sculptures, paintings, and collages. With her works, she tells stories of humanity, culture, history, and the present. Conflict, consensus, nature, faith, and trust are central concerns. Despite (or precisely because of) the artist’s nomadic life, her oeuvre is deeply rooted in the millennia-old culture and history of the Middle East—she was raised in Damascus and Beirut—and the epic literature, poetry, archaeology, and landscapes of this region are both vital sources of inspiration and central themes. More
Simone Fattal (*1942) was raised in Damascus and Beirut, studied archaeology and philosophy in France and began painting in Beirut in the early 1970s. After years of civil war, she left Lebanon in 1980 and settled in California, where she founded the Post-Apollo Press; for the next thirty years, she dedicated herself to publishing literature and poetry, including many books by her partner Etel Adnan. In the late 1980s, she studied sculpture at the San Francisco Art Institute and fell in love with working with clay. Meanwhile, she also started making collages that combine pictures of archaeological sites and relics with contemporary photographs. Today, Simone Fattal lives and works in Paris.
Jeanette Pacher is a curator for contemporary visual arts and has been working at the Secession since 2007. She is a regular lecturer in the Department of Site-Specific Art at the University of Applied Arts Vienna, and since 2023, a jury member of KÖR – Art in Public Space Vienna. She was part of the editorial team of Ö1 Kunstradio and began working in the curatorial field at Kunsthalle Wien in the mid 1990s.
 
Secession Podcast: Artists features artists exhibiting at the Secession. Programmed by the board of the Secession.
The Dorotheum is the exclusive sponsor of the Secession Podcast.
 
Jingle: Hui Ye with an excerpt from Combat of dreams for string quartet and audio feed
(2016, Christine Lavant Quartett) by Alexander J. Eberhard
Editor: Paul Macheck
Production: Jeanette Pacher
 

Members: Carola Dertnig im Gespräch mit Sabeth Buchmann

Secession Podcast: Members ist eine Gesprächsreihe mit Mitgliedern der Secession. In dieser Folge hören Sie die Künstlerin Carola Dertnig im Gespräch mit der Kunsthistorikerin und Kunstkritikerin Sabeth Buchmann, aufgezeichnet am 16. April 2024.
 
Carola Dertnig lebt und arbeitet in Wien. Seit 2006 leitet sie den Fachbereich Performative Kunst an der Akademie der bildenden Künste Wien. Sie nahm 1997 am Whitney Independent Study Program in New York teil und war als Gastprofessorin am California Institute of the Arts (CalArts) in Los Angeles tätig. Dertnigs Arbeiten wurden in zahlreichen Ausstellungen in Museen und Galerien gezeigt, darunter die Landesgalerie Niederösterreich, Krems; Galerie CRONE, Wien/Berlin; Galerie Andreas Huber, Wien; die Solyanka Gallery, Moskau; das REDCAT CalArts Theater, Los Angeles; das MoMA PS1, New York; Artists Space, New York; das Museum of Modern Art, New York; das mumok – Museum moderner Kunst Stiftung Ludwig Wien; die Galerie für Zeitgenössische Kunst, Leipzig, und die Secession, Wien. Im Jahr 2024 wird ihr Werk in einer Midcareer-Ausstellung Dancing through Life im OK_Linz inklusive einer Publikation präsentiert. 2013 erhielt sie den Österreichischen Kunstpreis.2005 veröffentlichte sie gemeinsam mit Stefanie Seibold das Buch Let’s Twist Again: Was man nicht denken kann, das soll man tanzen zur lokalen Performancegeschichte Wiens von den 1960er-Jahren bis heute. Sie war Mitglied des Forschungsprojekts Troubling Research: Performing Knowledge in the Arts (2009–2011) und publizierte ihr eigenes Buch Perform Perform Perform (2011). 2014 erschien die Publikation Performing the Sentence: Research and Teaching in Performative Fine Arts, herausgegeben mit Felicitas Thun-Hohenstein.
 
Sabeth Buchmann (Berlin/Wien) lehrt seit 2004 Kunstgeschichte der Moderne und Nachmoderne an der Akademie der bildenden Künste Wien. Sie ist Mitherausgeberin von PoLyPen, eine Buchreihe zu Kunstkritik und politischer Theorie (b_books, Berlin), und Beiratsmitglied von Texte zur Kunst, der European Kunsthalle sowie des documenta Instituts und publiziert regelmäßig in Kunstzeitschriften, Sammelbänden und Ausstellungskatalogen. 2008 erhielt sie den österreichischen Art Critics Award. Zuletzt erschienen: Kunst als Infrastruktur (2023) sowie die von ihr mitherausgegebenen Bände Broken Relations: Infrastructure, Aesthetics, and Critique (2022) und Putting Rehearsals to the Test: Practices of Rehearsal in Fine Arts, Film. Theater, Theory, and Politics (2016).
 
Das Dorotheum ist exklusiver Sponsor des Secession Podcasts.
 
Jingle: Hui Ye mit einem Ausschnitt aus Combat of dreams für Streichquartett und Zuspielung (2016, Christine Lavant Quartett) von Alexander J. Eberhard.
Schnittregie: Carola Dertnig & Sabeth Buchmann
Schnitt: Paul Macheck
Programmiert vom Vorstand der Secession
Produziert von Christian Lübbert, Bettina Spörr